眼睛帶著我們看見世界好多的色彩和景象。但眼睛可以長在哪裡呢？
聆聽聲音，你能用耳朵看見畫面嗎？
身體動著，能感受到身體裡面、外面的秘密嗎？
文字流轉，能用文字想像景象嗎？
《想像力的眼睛》以繪本《3號公寓》為靈感，加上想像與改編，以聲音、舞蹈、語言試圖建構居住於3號公寓的視障者的世界，用多重角度引導觀眾，讓想像力之眼遨遊。從聲音中看見畫面與動作、從舞蹈中感受故事與聲響、也從語言中編織更廣闊的想像。
創作、演出、文本修改、錄音 / 賴思穎
聲音設計 / 高勤倫
文本改編創作 / 吳孟渝
口述影像撰稿 / 王昱程
影片製作 / 陳冠宇
繪本原著 / Apt. 3
原著作者 / Ezra Jack Keats
特別感謝 / Ezra Jack Keats Foundation
賴思穎
畢業於國立臺北藝術大學舞蹈研究所表演創作組，從事即興、創作、表演、教學等。 近期作品包含：2020空總玩聚場「路上跳舞」計畫，舞蹈設計統籌；2020相遇舞蹈節，編創《有關舞的嘗試之一》；2018淡水文化園區、三十沙龍創作空間，編創暨演出《De-NominatING》等。曾參與古舞團、InTW舞影工作室、無垢舞蹈劇場等團隊製作演出。
【親子在線上】
在「親子在線上」的系列中，希望能夠讓「玩」，回到更純粹的起點——想像力、幽默感、應變能力。這樣能夠增添心靈韌性的「玩」，在疫情時代，顯得格外重要。
本系列的節目將分為「互動線上演出」與「親子電影院」：「互動線上演出」則將演出的內容，都交由小小觀眾們決定，創作團隊建置了一個可供孩子們天馬行空的表演資料庫，並將根據孩子們的臨場反應，隨機組合表演資料庫的內容，與孩子們共同玩出一個充滿隨機性、趣味又好玩的冒險故事。「親子電影院」則邀請四組創作者，針對社會上的重要議題，以物件、肢體、小丑、逐格動畫等形式，創作內容不僅適合小孩，也適合大人，更適合闔家共賞的影像作品。
本系列節目包括：
策劃團隊：吳孟軒
舞評人、舞蹈構作、獨立策展人。畢業於臺北藝術大學舞蹈研究所，現為藝術團體參零柒成員。近年曾任《Blablabla擴散計畫》策展團隊成員、「編舞性策展：將編舞作為策展方法」研究計畫主持人、臺灣當代文化實驗場進駐Creator、北藝大「妖山混血盃跨域創意實驗室」策展人。
近年關注表演藝術策展、藝術家群集（artists collective）、表演性（performativity）等相關研究，在策展實踐上，主要探索如何將表演作為方法，以靈活、趣味並富有詩意的方式，形成藝術家與社會之間的臨時性社群，擴展對於「共」（the commons）的經驗與想像。
The Eyes of Imagination
Our eyes lead us to see many sights and colors in this world. But where are our eyes?
As you listen to sounds, can you use your ears to see a picture?
As your body moves, can you perceive the secrets inside and out?
As words circulate, can they be used to imagine a scene?
The Eyes of Imagination was inspired by the picture book Apt. 3. Sound, dance, and language are used to construct the world of its visually impaired character. The audience is guided from multiple angles on a journey of imagination. They are led to see pictures and movements based on sound, to perceive stories and sound through dance, and to weave a broader imagination through language.
Creator, Performer, Script Editor & Sound Recorder / Szu-Ying Lai
Sound Designer / Chin-Lun Kao
Script Adaptation / Meng-Yu Wu
Descriptive Video Script / Yu-Cheng Wang
Film Editor / Kuan-Yu Chen
Picture Book / Apt. 3
Author / Ezra Jack Keats
Special Thanks / Ezra Jack Keats Foundation
Szu-Ying Lai
Szu-Ying Lai graduated from the School of Dance of Taipei National University of the Arts and has engaged in improvisation, creation, performance, and teaching. She oversaw choreography and planning for the 2020 PlayArts Dance My Way project and One of the Attempts About Dance for the 2020 CoDance Festival. In 2018, she created De-NominatING for the Tamsui Cultural Park and Sun Shier Salon Dance Exhibition. She has also performed works by Ku & Dancers, InTW Studio, and Legend Lin Dance Theatre.
[ Family Online Program Series ]
Through the Family Online program series, it is hoped that "play" can return to purer starting points- imagination, humor, and adaptability. Such "play" can increase emotional resilience, which is of particular importance in this pandemic era. This program series includes interactive online performance and family cinema. During the interactive online performance, the content is decided by the audience. The performers and the children watching online play while acting out a random, interesting, and fun story. For the family cinema, four groups of creators have been invited to focus on important social issues and to make use of objects, physical movement, clown show elements, and animation into video works for family viewing.
The Family Online program series includes the following programs:
The Clown in the Mist
My Home, Danshui River
Curator: Meng-Hsuan Wu
Meng-Hsuan is a dance critic, dance dramaturge, independent curator, and the member of 307 artists collective. She recently hosted, curated, and participated in those project below: Blablabla project (performance curatorial project). Choreographic Curating: Choreography as Curatorial Strategy (Research Project). As an Art Worker, How Do We Organize Ourselves? (Research Project). TNUA Genie Lab (interdisciplinary art curatorial project).
Meng-Hsuan's interest in recent years including performing art curating, artists collective, and the research of performativity. In her curatorial practice, she is mainly exploring how to expand the imagination and experience of "the commons" through performing and curating, in a flexible, delightful and poetic way.
