身為一個ADHD的人，這個世界的時間感對我來說一直都是一件新鮮的事情。這幾年與聾人一起工作的過程不斷的在練習「專心」的這件事情。用當下的全身去感受另一個人、空間與時間的流動。也是從這個起點，我開始正視我有ADHD的各種生活型態。對於時間的錯置、安靜的懼怕、焦點的併置、閱讀的困難等等。這很有趣，因為在我小時候還並未有這樣的診斷，只不過覺得的是個很難專心的好動小孩，因次被送去學舞消耗體力。在學舞的過程中，也因此受到了滿滿的挑戰，但卻長出了很獨特的元素在身體之中，好像在腦筋知道之前，唯有身體以最真實的方式記錄著這個ADHD的過程。
這個演出「自檢測我3-6分鐘：Time Lapse」想要從回去探問自己的身體，找到那些腦筋還尚未察覺的身體記憶。網路上要基礎自我檢測是否有可能是ADHD的平均時間是3-6分鐘，演出也會以3-6分鐘的時間感去展現時間的併置與錯置在身體上的感受，邀請觀眾進入到一個ADHD的世界。
演出團隊｜王珩
現為編舞者、導演、教學者、表演者。
現專注於肢體田野計畫並編導肢體紀錄劇場，並與複象公場、大可創藝、君舞蹈劇場、組合語言舞團、盜火劇團、狂想劇場等多個劇場合作。
作品有2019年入選台北藝穗節思劇場場地自主節目《我們在此出發》、2020受桃園傑出演藝團隊邀請之演出《跳針》、2021於桃園鐵玫瑰藝術節綠洲計畫發表《四季》，該計畫演出亦獲台北故宮秋天藝術節、艋舺國際舞蹈節、新竹光臨藝術節邀演。2021始與大可創藝合作發展寶寶劇場與聽障舞蹈計畫。聽障舞蹈計畫與聾人藝術家林靖嵐合作作品《我們在安靜中跳舞》於樹林演藝廳、府中十五、人權藝術節、麻豆總爺藝文中心、桃園展演中心演出。2023年再與工研院與CLab合作《Feel Together 一場尋找共感的練習》聲音轉化震動背心研發。
2024始擔任聾人劇團【众月藝創所】藝術主理人，並持續製作新作與聽聾共融推廣課程。
演職人員名單｜
編舞｜王珩
演出｜王珩
音樂設計｜蔡秉衡
本演出為《六分甜,一人一點,不保證對齊》系列作品
《六分甜,一人一點,不保證對齊》是一場由六位表演者構成的SOLO演出計畫，三位男性與三位女性各自展開獨立創作，演出穿梭於兩層樓的通信分隊空間中。
觀眾不一定會被安排座位，表演也不限定舞台區域，演出打破傳統觀演結構，邀請觀眾以遊戲與探索的心態參與現場，尋找屬於自己的觀演節奏與感知軌跡，並期待在演出過程中，觸動彼此的甜蜜時刻。
這場演出不僅是一場表演,更是一場對「觀看」、「存在」與「身體臨界點」的集體試探，也扣合玩聚場藝術節的「玩」、「聚」、「場」三個軸線，觀看不再是被動的凝視，而是一次次進入規則、破壞規則的遊戲，觀眾的觀看本身變成了一種可以玩的行為，而聚，是我們彼此為存在作證的方式，場，不只是空間，而是身體與邊界的遊樂場。
每個SOLO是一次關於臨界、平衡與自我節奏的實驗與試，而觀眾在自由流動中所經歷的路徑，則構成整場演出的另一層結構。這些相遇與錯身、凝視與走失的瞬間，將構成每個人獨一無二的「甜蜜點」。
｜系列演出其他介紹請點以下連結｜
Time Lapse: Diagnosis in 3–6 Minutes
As a person with attention deficit hyperactivity disorder (ADHD), this world’s sense of time has always been something new to me. For Time Lapse: Diagnosis in 3–6 Minutes, I wanted to go back to ask questions of my body and find physical memories that my mind has not noticed. The average time needed to conduct a basic self-check for ADHD online is 3-6 minutes. For this performance, I also use 3-6 minutes to present physical perceptions of the juxtaposition and dislocation of time and invite the audience to enter the world of ADHD.
Performer: Heng Wang
Choreographer, Director, Educator, Performer
She is focused on physical field projects and directing physical documentary theater, collaborating with theaters such as The Double Theatre, Duck Art Studio, Chum Dance, and Assembly Dance Theatre. Starting in 2024, she will serve as the artistic director of the deaf theater group "Dear Moon Theatre of the Deaf " continuing to create new works and promote inclusive courses for the deaf and hard of hearing.
Choreographer｜Heng Wang
Performer｜Heng Wang
Composer｜Hans Tsai
Six Points of Sweetness, A Little Bit of Each, No Guarantee of Alignment
<Six Points of Sweetness, A Little Bit of Each, No Guarantee of Alignment> is a SOLO performance project consisting of six performers, three men and three women, each creating their own independent work, in the Art Space III. The audience is not necessarily seated, nor is the performance limited to a specific stage area. The performance breaks with the traditional structure of a performance, inviting the audience to participate in the scene with a playful and exploratory mindset, searching for their own rhythms and perceptual trajectories, and looking forward to touching each other's sweet moments during the performance. This show is not only a performance, but also a collective exploration of “watching”, “existence” and “body threshold”, which also coincides with the three axes of “play”, ‘gathering’ and “field” in the Play Arts Festival. Watching is no longer passive staring, but a game of entering and breaking rules repeatedly, and the audience's watching itself becomes a kind of playful behavior, and the gathering is a way for us to testify for each other's existence! Gathering is a way for us to witness each other's existence. It is not just a space, but a playground for the body and its boundaries. Each solo is an experiment and trial of liminality, balance and self-rhythm, while the paths that the audience experiences in their free flow constitute another layer of the whole performance. These moments of encounter and dislocation, of gazing and wandering, will constitute a unique “sweet spot” for everyone.
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