我是誰?
若沒有他人,我,如何定義「我存在」的意義?
看不見的,是不是就等於不存在?記住的,是不是就永遠不會消失?
每個人都在作夢?
人在夢著的時候一切都有成真的無限可能。
但,究竟要怎麼確定自己某刻是真的醒了?
又或者,醒來發現自己其實可能還在作夢?
還是事實其實是,是在夢中夢見自己醒了?
每個人的每天是不是真的都在作夢?
我們都在夢裡甦醒而後又再次沉睡,
我們有時候以為我們已經從夢醒來,
但有沒有可能是從來沒有真正醒過?
也許,我們每個人自以為的一生,都僅在這場名為現實的夢裡著。 但,
即便如此,也沒關係吧。
演出團隊｜玲瓏全勤身創作社 x 林方方
演出團隊｜玲瓏全勤身創作社
於2020年三月創立於高雄。
其團員林方方、謝明璋、姚辰穎為在表演藝術領域持續演出與創作的表演工作者。
演出主創及表演者｜林方方
高雄人,熱愛跑步、追星星,超愛粉紅色,很愛吃甜食也酷愛吃辣。
畢業於國立臺北藝術大學劇場藝術創作研究所表演組,斜槓演員、舞者、編導、編舞、教學的劇場工作者。
曾以不同身份參與過國際劇場藝術節、臺灣國際藝術節、臺北藝術節、臺北兒童藝術節、桃園鐵玫瑰藝術節、高雄春天藝術節、文化部青年扶植創作計畫、基隆城市劇場行動、NTCH Special Tour 等。
演職人員名單｜
編導創作、表演者｜林方方
聲音設計｜范擎鴻
創作陪伴｜潘品丰、呂栩智
注意事項｜
1.不分年齡。
2.演出中,觀眾可以自由選擇觀看的位置,表演者可能會與部分觀眾有肢體碰觸,若介意者,可以於演出進行中與表演者保持自己覺得舒服的距離。
本演出為《六分甜,一人一點,不保證對齊》系列作品
《六分甜,一人一點,不保證對齊》是一場由六位表演者構成的SOLO演出計畫，三位男性與三位女性各自展開獨立創作，演出穿梭於兩層樓的通信分隊空間中。
觀眾不一定會被安排座位，表演也不限定舞台區域，演出打破傳統觀演結構，邀請觀眾以遊戲與探索的心態參與現場，尋找屬於自己的觀演節奏與感知軌跡，並期待在演出過程中，觸動彼此的甜蜜時刻。
這場演出不僅是一場表演,更是一場對「觀看」、「存在」與「身體臨界點」的集體試探，也扣合玩聚場藝術節的「玩」、「聚」、「場」三個軸線，觀看不再是被動的凝視，而是一次次進入規則、破壞規則的遊戲，觀眾的觀看本身變成了一種可以玩的行為，而聚，是我們彼此為存在作證的方式，場，不只是空間，而是身體與邊界的遊樂場。
每個SOLO是一次關於臨界、平衡與自我節奏的實驗與試，而觀眾在自由流動中所經歷的路徑，則構成整場演出的另一層結構。這些相遇與錯身、凝視與走失的瞬間，將構成每個人獨一無二的「甜蜜點」。
｜系列演出其他介紹請點以下連結｜
I DREAM A DREAM
Who am I?
If there are no other people, how do I define the meaning of my existence?
If something is not seen does that mean that it doesn’t exist? Does what is remembered ever disappear?
Is everyone dreaming?
When people dream, there are infinite possibilities for everything to come true.
But, how can we be sure that we are really awake at any certain moment?
Or, when we are awake, do we discover that we might still be dreaming?
Or, are we actually dreaming that we are awake?
Does everyone dream every day?
We all wake up in a dream, then fall asleep again.
Sometimes we think we have woken up from a dream.
But is it possible that we have never really woken up?
Perhaps, everyone thinks that their life is only in this dream called reality. Even so, it doesn’t matter.
Performer: Ling_Long_Animal x Fang Fang Lin
Artist introduction｜Lin Long Animal
Lin Long Animal was established in Kaohsiung in March 2020.
Its core members LIN Fang-Fang, HSIEH Ming-Chang, and YAO Chen-Ying create and perform in the performing arts field.
Creator/performer introduction｜LIN Fang-Fang
Born in Kaohsiung, Taiwan, LIN Fang-Fang loves running, chasing stars, and the color pink. She also loves sweets and spicy food.
Since finishing her studies in the performing arts division of the Graduate Institute of Theatre Performance and Playwrighting at the Taipei National University of the Arts, she has taken on a number of roles in the theater arts, such as actress, dancer, director-playwright, choreographer, and educator.
In these various capacities, she has participated in international theater festivals, Taiwan International Festival of Arts (TIFA), Taipei Arts Festival, Taipei Children’s Arts Festival, Taoyuan Iron Rose Festival, and Kaohsiung Spring Arts Festival. She has also been involved in the Taiwan Ministry of Culture’s program to support creation by young artists, Keelung’s city theater action plan, and the National Theater and Concert Hall (NTCH) Special Tour.
Writer-Creator & Performer |Fang Fang Lin
Sound Disigner | Ching Hung Fan
Creative Companion | Pan Pin Feng 、Xu Zhi Lu
Additional information
During the performance, audience members can freely choose their viewing position. The performers may come in physical contact with some members of the audience. If this is something that you find uncomfortable, please keep a distance that you feel is appropriate from the performers.
Six Points of Sweetness, A Little Bit of Each, No Guarantee of Alignment
<Six Points of Sweetness, A Little Bit of Each, No Guarantee of Alignment> is a SOLO performance project consisting of six performers, three men and three women, each creating their own independent work, in the Art Space III. The audience is not necessarily seated, nor is the performance limited to a specific stage area. The performance breaks with the traditional structure of a performance, inviting the audience to participate in the scene with a playful and exploratory mindset, searching for their own rhythms and perceptual trajectories, and looking forward to touching each other's sweet moments during the performance. This show is not only a performance, but also a collective exploration of “watching”, “existence” and “body threshold”, which also coincides with the three axes of “play”, ‘gathering’ and “field” in the Play Arts Festival. Watching is no longer passive staring, but a game of entering and breaking rules repeatedly, and the audience's watching itself becomes a kind of playful behavior, and the gathering is a way for us to testify for each other's existence! Gathering is a way for us to witness each other's existence. It is not just a space, but a playground for the body and its boundaries. Each solo is an experiment and trial of liminality, balance and self-rhythm, while the paths that the audience experiences in their free flow constitute another layer of the whole performance. These moments of encounter and dislocation, of gazing and wandering, will constitute a unique “sweet spot” for everyone.
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