展演活動 PROGRAM

身體是我的構成

身體是我的構成 Key Version

12/6-12/10(一-五)19:30-20:30

12/10(五)23:00-24:00(深夜特別版)

我們有許多不同的數據標準,衡量著我們身體的樣貌,像是身高、體重。有些則是衡量身體的狀態,像是心跳次數、血壓、血氧含量、體脂肪等。這些數據讓我們產生對於一個人的總體想像,得以建構出一個人的樣貌。《身體是我的構成》便是從這種「身體數據化」的概念,作為創作出發點。


我們在線上平台Gather Town中,設立數個不同主題的空間,以數據成列出不同身體部位的資料與影像。觀眾將會化身為幾個標準形象的電玩人物,表演者會在其中與觀眾互動,並引導觀眾進到空間裡觀看身體數據,進而拼湊一個人的樣貌、建構對一個人的想像,並以此去思辨數據資料所創造的虛擬身體與真實身體想像之間的交錯辯證。



注意事項

※ 本節目將使用Gather Town線上平台。請使用電腦進行體驗,並建議使用Chrome瀏覽器,方可操作全部的功能以及完整的瀏覽。

※ 本節目需事先報名,報名後主辦單位會將線上演出連結/代碼Email至您於報名表單中所填寫之電子信箱。 

※ 建議12歲以上觀眾參加。

※ 演出長度約為一個小時,Gather Town僅在演出時間時開啟,演出結束即關閉。

※ 中文內容,無字幕。 


共同創作 / 李承寯、李承叡、王珩 

執行製作 / 蔡宜婷


複象公場


複象公場創立於2014年,由三位1990年後的藝術創作家李承寯、李承叡以及王珩共同創辦。「複象」取自於安東尼‧亞陶的書名《劇場及其複象》,而「公場」則是取自於工廠的諧音,同時指涉公共場域,期望提供導演或不同領域的劇場創作者一個創作場域,嘗試全新的戲劇編劇與創作。 複象公場以劇場為載體,呈現在全球化的語境下,社會中人跟人的關係。跨越不同的思維,我們試圖使劇場成為生活的折射,讓觀眾能夠用不同的角度觀看習以為常的現實。 


複象公場於2015年,以《出位Out of Place》以及《學英文》兩齣戲為創團作,並在隨後於臺北藝穗節策展《舞蹈文本計畫》, 結合舞蹈與當代劇本,衝撞出不同的敘事火花,其中作品《愛的故事》獲得舞蹈中的舞蹈獎項;2016年作品《遠方》入圍烏鎮戲劇節青年競演,並於同年以作品《她最後的華麗》入圍牯嶺街小劇場年度節目;2017年,複象公場《遠方》受邀至法國貝桑松戲劇節,《她最後的華麗》受邀至北京南鑼鼓巷戲劇節;2018年《遠方》受邀至假日亞洲劇場戲劇節;2019年,複象公場從《哈瓦那》舞蹈計畫出發,首次加入文獻考察,並定調為日後的創作模式。同年,複象公場也開啟了素人計畫,分別參與《我們在此出發》與製作《孩子》演出;2021年作品《大橋1988》再次以文獻以及田野考察的創作方法,結合手機應用程式,說出大橋頭被遺忘的舊故事。


【舞蹈在線上】


當Covid-19疫情肆虐全球,表演藝術也產生了巨幅的變化:聚集、人群、密閉空間被禁止,隔離、不接觸、保持距離成為生活的日常,人與人之間的關係開始被公衛程序重新編寫。當表演藝術不再如過往能夠與觀眾共時、共地的共享呼吸,那麼,表演還能如何回應當下?如何用表演書寫疫情時代的空間與時間?


這次「舞蹈在線上」的系列,想嘗試回應疫情之下的特殊時空,尤其是人們高度仰賴鏡頭、社群媒體、會議軟體做為溝通介面的時刻。這個系列,特邀三組舞蹈工作者針對這些媒材進行創作:鍾長宏在《二次進場》中,以觀看探問觀看,將觀看表演、觀看鏡頭、觀看直播,透過芭蕾舞劇的經典場景相互疊合。王甯透過《Re:練習》,迴返在三級警戒下得以維繫生活的儀式性日常,嘗試重新掌握自己的身體與行動節奏。複象公場則以Gather Town創作《身體是我的構成》,透過2D電玩形式,編碼身體在雲端中的數據與圖像。


這三個作品,不僅是屬於當下的實驗,同時也都在試著提出一種調整與適應的可能:在隔離、遠距、不接觸的前提下,我們要如何重新定義表演、聚集與劇場?


本系列節目包括:
二次進場

Re: 《練習》
身體是我的構成


策劃團隊:吳孟軒


舞評人、舞蹈構作、獨立策展人。畢業於臺北藝術大學舞蹈研究所,現為藝術團體參零柒成員。近年曾任《Blablabla擴散計畫》策展團隊成員、「編舞性策展:將編舞作為策展方法」研究計畫主持人、臺灣當代文化實驗場進駐Creator、北藝大「妖山混血盃跨域創意實驗室」策展人。

近年關注表演藝術策展、藝術家群集(artists collective)、表演性(performativity)等相關研究,在策展實踐上,主要探索如何將表演作為方法,以靈活、趣味並富有詩意的方式,形成藝術家與社會之間的臨時性社群,擴展對於「共」(the commons)的經驗與想像。


The Body Is Part of My Structure 


There are many standards by which we evaluate appearance, such as height and weight, and health status, such as heart rate, blood pressure, blood oxygen content, and body fat. Such data enable us to generate an overall image of the body and to construct a person's appearance. The Body Is Part of My Structure is based on this concept of "body digitization". 

On the online platform Gather Town, several spaces have been created, each with a different theme and data and images related to different parts of the body. Audience members are transformed into standardized avatars, as performers interact with them and lead them through these spaces to observe data, then to piece together a person's appearance and to construct a person from imagination. Through this process, participants are encouraged to think about how they discern a virtual body that is created with the use of data and a real body that is based on imagination.


Notes

* This program takes place on the Gather Town online platform. Please use a computer and Chrome browser for the best experience.

* Advance registration is required. The organizer will send the link/code for this online performance to the email address provided in the registration form. 

* Recommended for ages 12 and up.

* Program length is around one hour, after which this Gather Town space will close.

* This performance is in Mandarin only with no subtitles.


Co-creators / Cheng-Chun Lee, Cheng-Jui Lee, Heng Wang  
Executive production / Yi-Ting Tsai


The Double Theatre


The Double Theatre was founded in 2014 by three post-1990 art creators Cheng-Chun Lee, Cheng-Jui Lee, and Heng Wang. "Duplex" is taken from the title of Anthony Yatao's "Theatre and its Duplex." At the same time, "Public Field" is homophonic from the factory, and refers to the public field, and is expected to provide directors or theaters in different fields. In addition, the creators have a creative area to try new drama screenwriting and creation. With theater as the carrier, the complex public field presents the relationship between people in society in the context of globalization. Across different thinking, we try to make theater a reflection of life so that the audience can watch the reality they are used to from different angles. 


In 2015, The Double Theatre used the two plays "Out of Place" and "Learning English" as the founding group and then curated the "Dance Text Project" at the Taipei Fringe Festival, combining dance and contemporary script smashed into different narrative sparks. Among them, the work "The Story of Love" won the dance award. In 2016, we shortlisted the work "Distant" for the youth competition in Wuzhen Theatre Festival, and in the same year, we shortlisted  "Her Last Gorgeous" for Guling Street Avant-garde Theatre. In 2017, "Far Away" was invited to the Besançon Theater Festival in France. "Her Last Gorgeous" was invited to the Beijing Nanluoguxiang Theater Festival. In 2018, "Far Away" was invited to Holiday Asian Theatre Festival. In 2019, The Double Theatre started from the "Havana" dance project, joined the literature investigation for the first time, and set the tone as the future creative mode. In the same year, The Double Theatre also launched a project to participate in "We Are Here" and the production of "Children." In 2021, the work "bridge 1988" tells the old story of the Dadaocheng forgotten by using the creative methods of literature and field investigation, combined with mobile phone applications.


[ Dance Online Series ]


As the Covid-19 pandemic has raged, relationships between people have been rewritten by public health procedures. 

How can the performing arts respond when they no longer share the same space and time as audiences? How can performances be used to describe time and space during a pandemic?

The Dance Online series is an attempt to respond to the unique statuses of time and space during a pandemic. 

At this moment, people are relying heavily on cameras, social media, and online meeting platforms as communication interfaces. In this series, three groups of dancers focus on these media and attempt to address the following question: Through performances, how can we gather and play under the premise of isolation, distance, and no contact?


The Dance Online Series includes the following program:

The Second Entrance 
practice practice practice
The Body Is Part of My Structure


Curator: Meng-Hsuan Wu


Meng-Hsuan is a dance critic, dance dramaturge, independent curator, and the member of 307 artists collective. She recently hosted, curated, and participated in those project below:  Blablabla project (performance curatorial project).Choreographic Curating: Choreography as Curatorial Strategy (Research Project). As an Art Worker, How Do We Organize Ourselves? (Research Project). TNUA Genie Lab (interdisciplinary art curatorial project).


Meng-Hsuan's interest in recent years including performing art curating, artists collective, and the research of performativity. In her curatorial practice, she is mainly exploring how to expand the imagination and experience of "the commons" through performing and curating, in a flexible, delightful, and poetic way.