人世間的恩怨，皆如過眼雲煙。在庸庸碌碌、平平凡凡的瑣事之中，當我們望向天頂，總覺得有隻眼睛在觀看、保佑著我們。那是神女，正在天上看著、庇佑著人世的一切。
《玲瓏姊妹愛眠夢》系列改寫台灣在地奇幻事件，透過神女的視角，以各種不同的法術、幻象，結合歌曲、舞蹈、特技、馬戲……在一個個場景裡，解決凡人的情愛問題。 這次，故事回到了過去。
那時神女剛轉神職，尚為神子。循著一股強大的怨念，神子來到了仁愛路，在那裡，他看見小美一人憂愁地坐在路邊，她正苦等著她失聯多時的空軍情人。透過法術，神子看見了，原來她的情人早已有了新歡，在日本結婚生子。於是，神子趁小美睡夢之時，闖進了她的夢裡，他想讓她看清事實，放下糾結。結果，這一連串的故事轉折，反而讓小美大發雷霆、怒不可遏，甚至因著自身的怨念，產生了強大的法術。究竟，初學神術的神子，能否順利抵抗小美的怨術？而小美，又是否能真的放下執念、好好生活？
導演／吳子敬
編劇／陳弘洋
主要演出／杜偉誠、林書函、邱柏翔、陳弘洋、劉文奇、劉文誠（依姓氏筆畫排序）
技術統籌／羅宥倫
服裝設計及妝髮／劉農
音樂設計／劉文奇
執行製作／蔡傳仁、魏聆琄
演出團隊｜僻室
創立於2018年，由一群擁有劇場各領域專業的成員組成， 範疇包含導演、表演、舞台、燈光、服裝等劇場展演及各類視覺設計， 致力於透過表演藝術及視覺藝術來與社會對話。
策劃團隊｜星合有限公司
星合有限公司 由前太陽馬戲團表演者陳星合與串連臺灣與國際馬戲社群的江侑倫共同創辦，「星合」致力於馬戲藝術及文化推廣，冀望扮演起臺灣馬戲橋樑，將當代馬戲引入臺灣，使臺灣馬戲推向世界。
Dreams of Ling-Long Sisters: The MerStory
In the mortal world, grievances are like puffs of smoke. In the midst of trivial matters, we look up at the sky and sense a pair of eyes looking back at us and blessing us. That is a goddess watching from the heavens and blessing everything in the mortal world.
Dreams of Ling-Long Sister series is an adaptation of a local Taiwanese fantasy story. Through the perspective of a goddess, the love problems of people are solved in one scene after another, using spells and illusions in combination with songs, dances, acrobatics, and circus.
Director／Zih-Jing Wu
Writer／Hong-Yang Chen
Performers／Wei-Cheng Du,Shu-Han Lin,Bo-Xiang Qiu ,Hong-Yang Chen ,Wen-Qi Liu ,Wen-Cheng Liu
Technical Director／You-Lun Luo
Costume design and makeup／Nong Liu
Sound Design／Wen-Qi Liu
Executive producer／Chuan-Ren Cai,Ling-Quan Wei
Performers｜ House Peace
House Peace was founded in 2018, members come from various theatrical backgrounds including directing, acting, and stage, lighting, and costume design. House Peace has committed to carrying out dialogue with society through the performing and visual arts.
Curator｜ Hsingho Co., Ltd.
Co-founded by the former Cirque de Soleil performer, Hsing-Ho Chen, and another key man of connecting Taiwan to international circus communities, Yu-Lun Chiang, HSINGHO CO., LTD. endeavors to promote circus culture, with a view to becoming the bridge which not only introduces contemporary circus to Taiwan but further, introduces circus in Taiwan to the world.
