本次國際交流工作坊由 Florent Bergal 帶領，透過其專長在於個人風格的創造及身體語言的發展。其表演方式依賴於表演者自身的肢體發展，而非依靠或結合文本傳達故事，透過表演者各種身體姿態進行交流。
講師在身體語言和編舞研究之基礎下，結合空總戶外空間特性，根據學員提出的個人創作主張，帶領學員創造身體語彙，接著運用此身體的語彙進行改變，發展出屬於學員獨特風格之身體劇場，重新發現空總戶外環境新維度！
演出團隊｜
Florent Bergal
Florent Bergal 現為 G.Bistaki 主要成員及法國麗都馬戲藝術中心講師。青少年時自學特技與雜耍，完成法國麗都馬戲中心 訓練後，進而磨練當代舞蹈，成為馬戲創作中的重要元素。以悲喜劇的風格建立美學基礎，創造獨特的風格美學。
參演表演者
陳宥任、陳德龍、劉予寬、陳聖崴、吳顥中、吳政澤、林翰雨、陳彥齊、黃子溢、周郁方、魏暉恩。
策劃團隊｜星合有限公司
星合有限公司 由前太陽馬戲團表演者陳星合與串連臺灣與國際馬戲社群的江侑倫共同創辦，「星合」致力於馬戲藝術及文化推廣，冀望扮演起臺灣馬戲橋樑，將當代馬戲引入臺灣，使臺灣馬戲推向世界。
“Au Bon Endroit Au Bon Moment” - Circus in public space.
This international exchange workshop is led by Florent Bergal, whose expertise is in personal style creation and body language development. Performances rely on the physical development of the performers, not on or in combination with written text, to tell a story. Exchanges are carried out through physical gestures and movements.
Based on body language and choreographic research, participants create a physical vocabulary, integrating the characteristics of C-LAB’s outdoor spaces and their creative ideas. Then, this physical vocabulary is used to implement changes and develop physical theater performances that are unique to each participant and that lead to the rediscovery of new dimensions in C-LAB’s outdoor environment.
Performers｜
Florent Bergal
Florent Bergal is a principal member of the G. Bistaki collective and a professor at le Lido in France. As a teenager, he learned circus and juggling on his own. Since completing his training at le Lido, he has practiced contemporary dance, an important element of his circus creations. Based on tragicomedy, he has developed a unique style and esthetic.
Performers
You-Ren CHEN、De-Long CHEN、Yu-Kuan LIU、Sheng-Wei CHEN、Hao-Zhong WU、Zheng-Ze WU、Han-Yu Lin、Yan-Qi CHEN、Zi-Yi HUANG、Yu-Fang ZHOU、Hui-En WEI
Curator｜ Hsingho Co., Ltd.
Co-founded by the former Cirque de Soleil performer, Hsing-Ho Chen, and another key man of connecting Taiwan to international circus communities, Yu-Lun Chiang, HSINGHO CO., LTD. endeavors to promote circus culture, with a view to becoming the bridge which not only introduces contemporary circus to Taiwan but further, introduces circus in Taiwan to the world.
