張雅為Ｘ鍾繼儀Ｘ蔡浩天
《金愛水》Ｘ《八叮咚匡》Ｘ《縮縫‧燙拔》
此系列節目為編舞家斜槓占星師張雅為、傳統音樂家鍾繼儀與服裝設計師蔡浩天，透過三條持續行進中的身體技藝行動，在場域執行意念、繞境、修補的療癒互動，緩緩堆疊交織出一場怪誕又歡喜的「時代宣言」。
縮縫與燙拔在裁縫的術語中是建立服裝空間的技巧，將布料裁片透過熨燙型塑人體線條。
還記得對於衣著剛啟蒙的年少時期，總想嘗試些特別的裝扮，而這些特別剛柔並濟，無疑對於一般傳統家庭的父母而言是一個挑戰，也違抗著對於生理男性的樣貌期待，所以每當要穿得特別點出門，總會帶著衣服配件大包小包到同學家中換裝再出發。
到外地念書直到開始工作後，衣著之於我是一個探尋自我的過程，它面對著自己，也面對著自己不同的社交圈，透過不同款式材質的嘗試尋找邊界，型塑輪廓與面貌，隨著歲月持續演進。
空總，過去威權不容挑戰的代表之一，在圍繞陽剛冷冽的建築中，建立裁縫空間，面對著人檯模型，以凝視、觀察、縫紉、修補以及整裝一連串的裁縫過程，透過帶有儀式性的行為，展開自我對話的一段旅程。
演出團隊｜蔡浩天
★個人簡歷
實踐大學設計學院服裝設計學系畢業，於2015年10月成立豐織設計工作室，並自創服裝品牌ERICHAOLIC，除了個人時裝品牌經營，也多方涉略服裝設計合作案，擅長多層次的剪裁、面料實驗與大膽配色，展現獨特服裝語彙。
★重要經歷
品牌時裝系列：
《母島》《浩遊天仙》
戲劇：
楊景翔演劇團《蘑菇》《我不是影后》、驚喜製造《愛情城市》、阮劇團《鬼地方》、晃晃跨幅町《慾望街車》《海妲．蓋柏樂》、烏犬劇場《麻嗨猴》《神去不了的世界》、世界客家博覽會之定目劇《行過乙未》、風格涉《百葉》《超級市場Supermarket》
舞蹈：
世紀當代舞團X台北市立交響樂團《德布西與拉威爾的夢與畫》、田孝慈&林祐如《SUPER》《慢慢散步，在美術館》、TIFA《Ita》《Ari-Ari》、Pulima潘巴奈《Calay》《remakat kita 從這裡到那裡》、壞鞋子舞蹈劇場《渺生》《吃土》
馬戲：
圓劇團《悲傷ㄟ曼波》《手路》
視覺：
李奧森《車內河谷》、張徐展《白蟻綁票案》
其他：
巴黎文化奧運台灣館A Root同根生樂團演出服裝、第一屆台北戲劇獎演出節目《Our Music, Our Musical》《劇場、劇場》、九天民俗技藝團《牽水車藏》
演職人員名單｜
蔡浩天
注意事項｜
● 為維護演出品質，請勿干擾演出進行，亦請勿觸碰演出使用器材等。
● 演出使用器材包含針、剪刀等尖銳物品，如掉落地上將由演出者或相關工作人員處理。
Ease Stitching & Shaping
Chang Ya-Wei x Chung Chi-Yi x Tsai Hao Tien
Shine Bright Like Water x Ba Ding Dong Kuang x Ease Stitching & Shaping
In this programme series, choreographer and astrologer Chang Ya-Wei, traditional musician Chung Chi-Yi, and fashion designer Tsai Hao Tien converge through three evolving bodily practices. Their actions unfold across the site as rituals of intention, procession, and mending, weaving together gestures of healing that slowly accumulate into a strange, exuberant manifesto for our time.
In tailoring, ease stitching and shaping are techniques used to create volume and contour, allowing flat pieces of fabric to be molded to the curves of the body through stitching and pressing.
I still remember my teenage years, when I first became fascinated by fashion. I was always eager to experiment with unconventional looks. My increasingly feminine style challenged the conservative values of my family and contradicted society's expectations of how a person assigned male at birth should present themselves. Whenever I wanted to dress differently, I would pack a large bag with clothes and accessories, change at a classmate's house, and only then head out.
After leaving home for university and later entering the workforce, clothing became more than a means of self-expression—it became a process of self-discovery. It allowed me to negotiate my relationship with both myself and the different communities I moved through. By experimenting with styles, silhouettes, and materials, I have continually tested boundaries, reshaped my appearance, and embraced an identity that continues to evolve.
At the former Air Force Command Headquarters—a site that once embodied unquestionable state authority—I established a temporary tailoring studio within its austere, masculine architecture. Before a series of dress forms, I engaged in a ritual of self-dialogue through the acts of measuring, observing, stitching, mending, pressing, and finishing. Tailoring became both a practical craft and a performative gesture: a way of reshaping not only fabric, but also memory, identity, and the body itself.
Performer: Tsai Hao Tien
A graduate of the Department of Fashion Design at Shih Chien University, Tsai Hao Tien founded his studio in 2015 and launched his fashion label ERICHAOLIC. Alongside developing his own collections, he has established an extensive practice in costume design across theatre, dance, circus, visual arts, and interdisciplinary performance. His work is distinguished by layered tailoring, experimental use of materials, and bold colour palettes, forming a distinctive visual language.
Selected Credits
Fashion
Motherland (ERICHAOLIC); Celestial Wanderer（ERICHAOLIC）
Theatre
Mushroom; Life Without the Spotlight (Yang Ensemble); Love and the City (Surprise Lab); Ghost Town (Our Theatre); A Streetcar Named Desire; Hedda Gabler (Rock Rock Crafting Collective); Stoned Monkeys; Do Not Go Gentle Into the Dark Night (The Black Dog Theatre); Into the 1895 (Repertory Plays for the World Hakka Expo); Louver / Shutter / Blinds / Hundred Leaves; Supermarket (Style Lab)
Dance
Dreams and Paintings by Debussy and Ravel (Century Contemporary Dance Company × Taipei Symphony Orchestra); Super; Taking a Leisurely Stroll Through the Art Museum (Tien Hsiao-Tzu & Lin Yu-Ju); Ita; Ari-Ari (TAI Body Theatre × EkosDance Company); Calay (Thread); remakat kita (From Here to There) (Panay Pan, Pulima Art Award Featured Works); An Eternity Before and After; Tsiàh Thóo (Bare Feet Dance Theatre)
Circus
Melancholic Mambo; Main Agile (Thunar Circus)
Visual Arts
Valley in the Minibus (Val Lee); The Termite Kidnapping (Zhang Xu Zhan)
Other Projects
Costume design for A Root Ensemble's performance at the Taiwan Pavilion of the Paris 2024 Cultural Olympiad; Our Music, Our Musical; Theatre, Theatre (performances at the 1st Taipei Theatre Awards ceremony); Khan-tsuí-tsn̄g by Chio-Tian Folk Drums & Arts Troupe.