張雅為Ｘ鍾繼儀Ｘ蔡浩天
《金愛水》Ｘ《八叮咚匡》Ｘ《縮縫‧燙拔》
此系列節目為編舞家斜槓占星師張雅為、傳統音樂家鍾繼儀與服裝設計師蔡浩天，透過三條持續行進中的身體技藝行動，在場域執行意念、繞境、修補的療癒互動，緩緩堆疊交織出一場怪誕又歡喜的「時代宣言」。
「讓北管聽起來像是時代金曲？還是，它本來就是？ 」
是什麼讓北管嗩吶的演奏變成「北管音樂」？如果把「流行歌曲」和「北管風格」這兩個元素放在一起，讓流行歌聽起來像北管，這或許可以成為一個新的聽音樂的方式。
此次展演協同《金愛水》隊伍前進，在移動的推車上創造北管式「行進曲」，隨著遊行隊伍，帶大家走入「黑膠33轉加水站」，播放從1960-70年代從日本傳入臺灣的「輕音樂」（Light Music），展開儀式背後的跨時空對話。
演出團隊｜鍾繼儀
從事臺灣傳統音樂表演將近二十年，專長為客家戲曲、客家八音、亂彈戲曲、北管音樂演奏及相關研究。
現任教於國立臺灣戲曲學院戲曲音樂學系、國立臺灣藝術大學中國音樂學系、國立臺北藝術大學傳統音樂學系，長期參與苗栗陳家班北管八音團、榮興客家採茶劇團、慶美園亂彈劇團演出，也曾參與獨立樂團百合花、壞鞋子舞蹈劇場等當代展演，現為國立臺灣師範大學音樂學系音樂學組博士候選人。
演職人員名單｜
音樂家｜鍾繼儀
演出協力｜陳紘翊
“Ba Ding Dong Kuang ”— Beiguan × Vintage Vinyl
Chang Ya-Wei x Chung Chi-Yi x Tsai Hao Tien
Shine Bright Like Water x Ba Ding Dong Kuang x Ease Stitching & Shaping
In this programme series, choreographer and astrologer Chang Ya-Wei, traditional musician Chung Chi-Yi, and fashion designer Tsai Hao Tien converge through three evolving bodily practices. Their actions unfold across the site as rituals of intention, procession, and mending, weaving together gestures of healing that slowly accumulate into a strange, exuberant manifesto for our time.
Could Beiguan sound like pop music? Or has it been all along?
What makes the sound of a suona unmistakably Beiguan? And what happens when pop songs are reimagined through the musical language of Beiguan? Could this become a new way of listening—one that blurs the boundaries between tradition and popular culture?
Presented in conjunction with the Shine Bright Like Water parade, this performance transforms a wagon into a moving stage for Beiguan marching music. As the procession unfolds, the artist guides the audience to the 33 RPM Vinyl Water Station, where Light Music—a genre introduced to Taiwan from Japan in the 1960s and 1970s—fills the air. Part listening space, part ritual, the work invites audiences into a transhistorical dialogue, where different musical traditions and eras resonate with one another.
Performer:Chi-Yi Chung
With nearly two decades of experience in traditional Taiwanese music, Chi-Yi Chung specializes in Hakka opera, Hakka Payin, Beiguan music and opera, as well as related research.
She currently teaches at the National Taiwan Academy of Traditional Arts, National Taiwan University of Arts, and National Taipei University of the Arts. As a performer, she collaborates with traditional ensembles including the Miaoli Chen Family Payin Troupe, the Rom Shing Hakka Opera Troupe, and the Qingmeiyuan Beiguan Theatre Troupe. She also explores contemporary performance through collaborations with the indie band Lilium and Bare Feet Dance Theatre. She is currently pursuing a Ph.D. in Musicology at National Taiwan Normal University.
Musician: Chi-Yi Chung
Performance Collaboration: Hong-Yi Chen