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本作品以「kay^ing（感應）」為敘事主體。「kay^ing」在阿美族語中意為「小姐」或「妙齡女子」，同時其發音亦與「感應」相近，成為本創作的核心概念之一。
此命名象徵透過身體經驗去「感應」日常：以身體作為感知媒介，回應生活中的細微變化、記憶與文化連結。
作品描繪一位「不再被定義為妙齡，但仍是小姐的阿美族女子」，展開其與麵包樹相遇的旅程。演出將透過料理行為、身體表現與語言敘事，探討文化符號如何被觀看與想像，例如原住民／阿美族／樂天等標籤化形象。同時，演出將加入與觀眾的互動段落，透過教學與共同學習「阿美恰恰」樂舞，使觀眾一同進入身體節奏與集體律動，形成共享的感應經驗。
進一步地，演出將邀請觀眾共同「喝一口湯」。這個喝湯的行動來自麵包果（facidol）的料理經驗，從食物回到身體的吸收與感知，使觀看轉化為共同的身體經驗。湯作為日常中最簡單的入口，也象徵記憶、土地與關係的流動與承接。
作品最後回到日常空間，在房間與廚房中拆解外部符號，重新感知身體與存在。透過喝湯、料理與身體節奏的展演，回返一種無需符號化的真實經驗。透過麵包果的料理與身體行動，使記憶、土地與身份轉化為可被感知的經驗。
最終回到最簡單的狀態；喝一口湯，與植物相處，讓身體透過感應自由流動。
演出團隊｜潘巴奈 Pan Panay
主創者｜潘巴奈（Pan Panay)
潘巴奈來自花蓮 Cipawkan 部落的阿美族表演藝術創作者，投身表演藝術逾十八年。她以身體為核心，揉合聲音、語言與場域，建構出原住民女性視角的跨界實踐，作品深具文化記憶與當代敘事。潘巴奈彷彿擁有 108 種樣貌，在創作中品嚐生命百味。2025年《remakat kita 從這裡到那裡》獲選Pulima藝術獎表演藝術首獎。2022年Pulima表演新藝站《Calay絲線》獲第二十一屆台新藝術獎第二季提名。2017年獲國家文化藝術基金會第五屆「海外藝遊專案」補助赴日本藝遊。
曾合作演出團隊包含，2025年Pulima藝術節「______家鄉在那路彎過去一點」與澳洲原住民藝術家Baden Hitchcock共創《回．聲 Sounds of Belonging》、樹林跳跳島舞蹈節《身體我的名片》、莫比斯圓環公社、TAI身體劇場、捌號會所、賴翠霜舞創劇場、壞鞋子舞蹈劇場、魔梯形體劇場、EX-亞洲劇團、身聲劇場、兩廳院國際劇場藝術節《葉瑪》、原舞者、婆娑舞集、莊國鑫原住民舞蹈劇場等。
排練助理、影像協力拍攝與剪輯｜周心瑀（Hsin-Yu, Chou）
畢業於國立臺北藝術大學藝術跨域研究所。2011 年起接受優人神鼓體系訓練，並長期隨團參與多場國內外大型演出，深耕擊鼓美學與劇場實作。近年致力於跨領域創作，以聲音與影像為媒材引領觀者開啟感知，曾參展綠島人權藝術季、新北城市藝術節等；作品《尋 Seek》更榮獲 2024 年前瞻顯示科技競賽銀獎。現憑藉傳統擊樂底蘊與跨界多媒材視角，活躍於劇場實踐、擊鼓教學及藝術跨界合作。
演職人員名單｜
創作概念暨演出｜潘巴奈Pan Panay
影像概念設計｜周心瑀、潘巴奈Pan Panay
排練助理｜周心瑀
注意事項｜
● 本演出適合所有年齡層觀賞。
● 不開放遲到入場。
● 演出過程不開放拍照、錄影和錄音。
● 演出含餐食分享，食物過敏者請自行斟酌食用。
● 本節目將於8/21（五）12:00 開放 Accupass 索票入場。
Masked kay^ing: A Journey Back to the Self
The Everyday Life of Masked Kay^ing is an interdisciplinary performance blending movement, culinary arts, and narrative. Centering on ""Kay^ing""—meaning ""young woman"" in Amis, homophonous with the Mandarin word for ""sensory resonance""—the piece follows an Amis woman, no longer in her youth yet remaining a Kay^ing at heart, on a journey intertwined with the breadfruit (facidol).
Through physical performance, ancestral memory, and cooking, the work explores how we navigate social labels and cultural symbols. Audiences are invited to engage in dance exchange and share a bowl of soup, transforming passive watching into a collective sensory experience. Set within domestic kitchens and everyday spaces, the performance reconnects body, land, and self through culinary and physical actions, seeking an authentic connection free from labels.
Performer: Panay Pan
Pan Panay is an Amis performing artist from the Cipawkan Tribe in Hualien. With over eighteen years of artistic practice, her work centers on the body, weaving together sound, language, and spatial experience to create interdisciplinary performances from the perspective of Indigenous women. Her creations bring ancestral memory into dialogue with contemporary narratives, revealing the many dimensions of Indigenous identity and lived experience.
As an artist, Pan Panay continually transforms herself, embracing the many facets of life through performance. In 2025, her work remakat kita (From Here to There) received the Grand Prize in the Performing Arts category at the Pulima Arts Awards. Her earlier work Calay (Threads), presented at the Pulima Performing Arts of Young Generation in 2022, was nominated for the Taishin Arts Award. In 2017, she received a grant from the National Culture and Arts Foundation to undertake an artistic research travel in Japan.
Her recent collaborations include Home? Naluwan, a Bit Over There for the 2025 Pulima Arts Festival; Sounds of Belonging, co-created with Australian Indigenous artist Baden Hitchcock; I Am My Body at the Shulin Jump We Island Dance Festival; and productions with Möbius Strip Theatre, TAI Body Theatre, Studio Acht, Lais Creative Dance Theater, Bare Feet Dance Theatre, Multi-X Theatre Company, EX-Theatre Asia, Sun Son Theatre, Yerma (TIFA 2018), Fasdt.Dance, Posuo Dance Space, and Kuo-Shin Chuang Pangcah Dance Theatre.
Rehearsal Assistant, Video Assistant (Filming & Editing): Hsin-Yu Chou
Hsin-Yu Chou holds an MFA from the Graduate Institute of Transdisciplinary Arts at Taipei National University of the Arts. Since 2011, she has trained in the body practice developed by U-Theatre and has participated in numerous large-scale drumming and theatrical productions in Taiwan and abroad.
In recent years, her practice has expanded into interdisciplinary creation, using sound and moving images to reshape the audience's sensory experience. Her work has been presented at the Green Island Biennial and the New Taipei City Arts Festival, and her video work Seek received the Silver Prize at the MetaDisplay 2024 competition. Drawing on her extensive background in drumming and multimedia, she is active across theatre-making, percussion education, and interdisciplinary artistic collaboration.
Concept & Performer: Panay Pan
Video Concept & Design: Hsin-Yu Chou, Panay Pan
Rehearsal Assistant: Hsin-Yu Chou